Zitat von: rgree am Donnerstag, 31. August 2023, 12:17seit gefühlt 100 Jahren benutze ich ausschließlich \major,ohne dass irgendwelche Effekte für Stücke in Moll erkennbar wären.
\version "2.24.2"
global = { \key b \minor \time 3/4 }
\parallelMusic voiceA,voiceB,voiceC {
ais2. |
g'8 \change Staff = "lh" \stemUp g fis e fis cis |
fis4 r r |
}
\new PianoStaff <<
\new Staff = "rh" {
\global
<< \relative c'' \voiceA \\ \relative c' \voiceB >>
}
\new Staff = "lh" {
\global \clef bass << \relative c \voiceC >>
}
>>
\version "2.24.0"
<<
\new ChordNames {
\set chordChanges = ##t
\set chordNameLowercaseMinor = ##t
\semiGermanChords
\chordmode {
% Akkorde
d2.:/b g2.:/e
}
}
\new Staff <<
% Tonart
\key g \major
\clef treble
% Rythmus
\time 3/4
\new Voice = voi { \relative { \voiceOne
% Melodie
d'4 g4 fis4
g2 g4
}
}
>>
\new Lyrics \lyricsto "voi" {
\set stanza = "1."
% Lyrics Verse & Refrain
I see a sta -- ble
}
>>
\version "2.24.1"
\language "deutsch"
{
\key b \major
b c' d' es' f' g' a' b'
}
{
\key g \minor
b c' d' es' f' g' a' b'
}